In ‘Kimberly Akimbo’, the Farcical and Familiar Combine in a Witty Family Tale

The latest from As If Theatre mixes humor and sadness in an unusual — but familiar — family tale, in which a teenager deals with self-centered parents, a drifter aunt, and a disease that advances her physical age far beyond her calendar years. ‘Kimberly Akimbo’ runs through October 20.

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‘Blood Water Paint’ Layers Artistry, Sexism, Violence, and Resilience Into a Vivid Portrait

Weaving disparate stories and art forms into one cohesive work, the latest from Macha Theatre Works makes for an inventive and beautiful play — and a fitting ode to an artist known for her vivid paintings. ‘Blood Water Paint’ runs through October 6.

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‘Yen’, on Now at ACT, Is Tender, Crass and Mesmerizing

‘Yen’ is vulgar. Its characters are often unlikeable, even repulsive. But its unexpected glimpses of tenderness, unabashed lack of nuance, and strong direction and performances make this year’s Kenan Fellowship in Directing showcase a highly recommended trip. It runs through September 29. 

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‘Bulrusher’ Takes Its Time, to Welcome Effect

The “slow theatre” at work in ‘Bulrusher’ matches the pace of the town. But the play’s resonant themes, along with strong acting and design work, make for a gripping show even as it strolls along. It runs through September 14. 

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In Comedy ‘Washer/Dryer’, a Tiny Apartment Is the Least of Claustrophobic Forces

‘Washer/Dryer’ lets the a pair of newlyweds live their lives, without assigning them some higher purpose. If only their families and neighbors would do the same. The co-production from SIS Productions and Pratidhwani runs through 9/22.

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A Searing Family Drama in ‘Is God Is’, But Its Revenge Comes Up Cold

A blaze, a horrific revelation, and a righteous quest are at the center of Washington Ensemble Theatre’s latest, ‘Is God Is’. But despite some strong acting, the production lacks the requisite conviction — and bloodshed — to bring its characters justice. It runs through September 23. 

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5 Questions with Playwright & Novelist Joy McCullough

‘Blood Water Paint’ imagines the great 17th century Italian painter Artemisia Gentileschi in her studio, interacting with the apocryphal subjects who inspired her. NWT talked with playwright Joy McCullough about the work, ahead of the play’s opening this Friday with Macha Theatre Works.

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Mayor’s Arts Awards Honor Intiman Theatre, Dani Tirrell, and More

The ceremony on this Thursday honors the 2019 award recipients: Center on Contemporary Art (CoCA), Intiman Theatre, Delbert Richardson, Marcie Sillman, and Dani Tirrell. Newly named Seattle Civic Poet Jourdan Imani Keith will present at the ceremony. 

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Sound Theatre Pulls Back Layers of Disability Politics in ‘Peeling’

Deaf and disabled actors, shoved out of the spotlight in an overworked (and invented) stage performance, shine light on how they experience the world. That’s the premise of ‘Peeling’, in its U.S. premiere, and another powerful show from Sound Theatre Company. It runs through this Saturday.

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Have the ‘Time of Your Life’! — or, What the Actual #!@% Just Happened

By the show’s end, the latest adventure from The Williams Project had all the makings of a disaster. Its difference may be its salvation.

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From Idea to Stage: ‘Triple Threat’ & ‘Bread Crumbs’ Open at The Scratch

The Scratch, a free festival of new works, starts off tonight with two personal works by some of Seattle’s hottest artists: Nicholas Japaul Bernard and Jasmine Joshua, with development assistance and direction by Eddie DeHais. DeHais shared insight about the two autobiographical pieces, and guided NWT through the development process of each.

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Ambitious ‘Small Craft Warnings’ Aims for Immersive, But Hasn’t Found Its Own Sense of Place

The latest from the inventive Williams Project and the first of its two “Bar Plays” this summer, ‘Small Craft Warnings’ centers on adrift characters. But the production winds up feeling adrift instead. 

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Village’s New Musicals Fest Is Among the Best in New Works. But It Could Reach a Wider Audience.

Village Theatre’s Festival of New Musicals is among the coolest shows in town, showing off new work with fantastic casts. But attendance is limited — and both for Village Theatre and for audiences regularly starved of relevant theatre, that may be an opportunity missed beyond the weekend.

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5 Questions with Musical Theatre Writers Michelle Elliott & Danny Haengil Larsen

The annual Village Originals Festival of New Musicals takes place in Issaquah this weekend. Few theatre-makers know the Festival better than Michelle Elliott and Danny Haengil Larsen, who have shown new works there four times. NWT talked with the duo about their latest work, ‘Hart Island’, which showed at the 2017 Festival and returned to Village for a developmental production earlier this year.

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An Absurdist Comedy in the Dark, ‘The Neverborn’ Feels Just Right for Our Times

The latest from prolific, sweetly-creepy playwright Kelleen Conway Blanchard hits all the right notes, in a comically disturbing play set in an eerily familiar fantastical parallel. 

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